| TSUNAMI
BOMB (l-r):
Gabe Lindeman - Drums
Jay Northington - Guitar
Agent M - Vocals
Matt McKenzie - Bass
Too often in punk’s past, the female-fronted acts
typically found themselves heading in one of two directions--the seemingly
wild, estrogen-fueled, usually-brash vocalist who’ll pay more
attention to the show than the music, or the cutesy, bubbly princess
vocalists that often lack the biting, decisive edge required to maintain
an audience’s attention.
Tsunami Bomb is one of the rare and fortunate exceptions. Fronted by
the pristine yet powerful vocals of AGENT M. (who claims Green Day’s
Billie Joe Armstrong as a primary influence) and backed by a remarkable
bassist MATT MCKENZIE, drummer GABE LINDEMAN and guitarist JAY NORTHINGTON,
Tsunami Bomb has indeed effectively straddled the line of offering an
potent, engaging live show, replete with enough stage energy to power
an entire city block, without sacrificing their seasoned musicianship
and attention to detail. Perhaps it’s that winning combination
that has led the act to such great success since its inception in northern
Bay Area city of Petaluma, Calif. in the late ‘90s.
The band’s rapid adventure began with a 1999 seven-inch release
on Checkmate Records, a label owned and operated by A.F.I. bassist Hunter.
Just over a year later, Tsunami Bomb released their first CD, the six-song
The Invasion From Within. A line-up shift and a short stint on the Vans
Warped Tour followed in 2001 and the group began attaining notoriety
outside their immediate area for their unique combination of driving
melodic punk and poignant, powerful lead vocals, not to mention their
evolving stage presentation.
Immediately after a second Warped Tour outing in 2002, Tsunami Bomb
introduced their much-anticipated debut full-length, The Ultimate Escape,
which grew to become one of the most successful debut releases on the
Kung Fu Records roster. For most audiences, The Ultimate Escape was
their first taste of Tsunami Bomb’s recorded presence and praise
about the group began spreading like wildfire.
Hitting the road again upon their album’s release, Tsunami Bomb
soon found themselves not just as the occasional touring band, but as
proven, determined road warriors in 2003, touring throughout the U.S.
and Canada, plus an extensive European tour with The Vandals and an
appearance in Japan. That summer, the band had returned for a third
Warped Tour appearance, this time propelling the main stage for a solid
third of the dates. “It’s such a huge punk rock event,”
M says. “We were really grateful to be able to do that. It was
awesome.”
After rounding out their banner year with a successful outing with
the Bouncing Souls, Tsunami Bomb entered the studio in early 2004 to
record their second full-length offering, THE DEFINITIVE ACT, for Kung
Fu Records. The foursome spent over a month in Boston laying their tracks
with producer (and former Hot Rod Circuit drummer) Mike Poorman.
The resulting album is an innovative collection of Tsunami Bomb’s
signature melodic, alluring and engaging punk rock anthems. “Dawn
Of A Funeral Day” showcases the more angular, dynamic side of
the group, while “5150” spotlights AGENT M’s seamless
vocal delivery. The straightforward “A Lonely Chord” offers
M’s flourishing multi-part chorus harmonies, punctuated by the
driving drum fills of LINDEMAN and the moody “Epic” changes
course at the drop of a hat, including breakdowns driven by the melodic
bass lines of MCKENZIE, eventually tapering off with fragile guitar
pickings.
Equal parts introspective and propulsive, soothing and charging, THE
DEFINITIVE ACT is, to date, Tsunami Bomb most varied and finest effort,
building upon a remarkable spectrum of the band’s history of vibrant
compositions. Straddling the line of melodic and musical, yet powerful
and persuasive, THE DEFINITIVE ACT furthers Tsunami Bomb’s trailblazing
presence in a field of one.
“I think that when you’re not part of the stereotype, you’ll
get a little bit more attention,” M says. “I just wanted
to have good, solid melodies and also try and develop my own style over
the years.”
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